Anand Bakshi
was perhaps the only lyricist apart from
Majrooh Sultanpuri
who enjoyed such a long and illustrious
career and who was still going strong after
more than 43 years since he broke through
in Hindi films as a lyricist when he passed
away.
Born in Rawalpindi, Bakshi was an avid
film buff and always dreamt of coming to
Bombay to join the Film Industry. His early
dream was to become a successful playback
singer and not a lyricist. So passionate
was Bakshi about joining the film industry
that he ran away from home and joined the
Navy with the hope of reaching Bombay. However
the Naval Mutiny in Karachi ended his career
in the Navy. After the partition of the
Indian subcontinent into India and Pakistan
in 1947, Bakshi returned to his family in
Lucknow. A short stint as a telephone operator
followed but he was still determined to
move to Bombay.
But he could make no headway in Bombay.
Dejected and disillusioned, Bakshi went
back to Delhi and worked with the EME as
a motor mechanic. But Bakshi persisted with
his efforts to join the Film line and kept
coming back to Bombay to try his luck. His
persistence finally paid off when a chance
meeting with actor Bhagwan materialized
into an offer to write the lyrics for Bhagwan’s
film Bada Admi (1958). Followed
more long periods of struggle till he began
to get noticed with his work in the films
of Suraj Prakash - Mehndi Lagi Mere
Haath (1962) and Jab Jab Phool
Khile (1965). The latter film particularly
brought Bakshi to the fore with the songs
Pardesiyon se Na Ankhiyaan Milana and
Yeh Samaa Samaa Hai Yeh Pyaar ka
proving to be most popular. It was Milan
(1967) however that finally took Bakshi
to the top. Songs like Sawan ka Mahina,
Bol Gori Bol, Ram Kare Aisa
Ho Jaye, Main to Diwaanaa
and of course Hum Tum Yug Yug Geet Milan
ke were hummed in every corner of the
country. Anand Bakshi had arrived. And from
then onwards he never looked back.
Followed
a golden period for Bakshi whose association
with Lakshmikant-Pyarelal and RD
Burman led to such musical milestones
like Farz (1967), Do Raaste
(1969), Bobby (1973), Amar
Akbar Anthony (1977), Ek Duje ke
Liye (1981) with the former and Kati
Patang (1970), Amar Prem (1971)
and Hare Rama Hare Krishna (1971),
just to name a few, with the latter. Of
these his work in Amar Prem particularly
stands out and was among his favourites.
Shakti Samanta heard Bakshi recite Chingari
Koi Bhadke at a 'kavi samelan' and
incorporated it specially into the film.
Other masterpieces in this film include
Bada Natkhat Hai, Kuch to Log
Kahenge, Yeh Kya Hua and Raina
Beeti Jaaye. Mention must also be made
of his association with filmmakers Raj
Kapoor (Bobby, Satyam Shivam
Sundaram (1978)), Shubash Ghai
(Karz (1980), Hero (1983),
Karma (1986), Ram Lakhan (1989),
Saudagar (1991), Khalnayak
(1993) to Taal (1999) and
Yaadein (2001)) and Yash
Chopra (Chandni (1989), Lamhe
(1991), Darr (1993), Dil
to Paagal Hai (1997)). Bakshi has also
sung in the film Mom ki Gudiya (1972)
- Baaghon Mein Bahaar Aayi with
none other than Lata
Mangeshkar. Recalls Lata
"I remember before the song was
recorded he came up to me and said 'since
I'm going to sing with you, the song is
bound to be a success.'"
Bakshi's strength was that he wrote simple
poetry which could be understood by one
and all. He was also one of the few lyricists
who made it a point to attend all the recordings
of his lyrics. In fact according to him
"The lyrics of any song depend
on the story, the theme and the situation
for which it is created. A song can be written
to match any mood, occasion or whatever
age group the script demands. So whether
it is a story of the sixties/seventies period
or today, it doesn't really make a difference."
Among various honours bestowed upon him,
Anand Bakshi won the Filmfare Award for
Best Lyricist four times - Apnapan (1977)
(Aadmi Musafir Hai), Ek Duje
ke Liye (Tere Mere Beech Mein), Dilwale
Dulhania Le Jaayenge (1995) (Tujhe
Dekha to Yeh Jaana Sanam) and Taal
(Ishq Bina).
Bakshi passed away in Mumbai on March 30,
2002. He had been ailing for quite some
time and was undergoing treatment for lung
and heart related problems when he died.
He is survived by his wife, two sons and
two daughters.
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